Fifteen years of video, film and live event production, for games studios, the NHS, national charities and global brands.
Much of my work with Two Cubed Creative sits under NDA and was never published: product demos, brand films, campaign work and most of the live event and show calling I did for clients like Estée Lauder Companies, Jaguar Land Rover, Toyota and Mazda. I am happy to talk about any of it, I just cannot show it. What follows is what I can.
A collaboration between The Bornless and Slipknot, made for the band's 25th Anniversary Tour. It passed 240,000 views on YouTube and was screened at the tour itself.
I captured in-game assets and in-engine footage, and worked on the final edit with the team.
I directed, shot and edited this film, collating voices from across the ICS to explain what stewardship is and how it benefits people.
Alongside new interviews and b-roll captured across the system, I drew on the asset library we had built over seven years of NHS work locally.
I directed, shot, and edited this video for the Maldon Up! project, with support from colleagues.
The project asked whether a regular giggle with a group of ten-year-olds can improve someone's sense of wellbeing.
The social edit passed 60,000 views on Facebook, and that reach helped push the film to press. A snippet was broadcast on ITV News Anglia.
Announcement trailer for a co-op adventure game about carrying your vampire master across a medieval fantasy world.
I captured, edited and produced this, with the Cathedral Studios team behind it.
Announcement trailer for a chaotic co-op factory management game, mixing gameplay with original cinematics.
Concept to delivery in a few weeks. I captured the in-game footage, worked on the cinematics and delivered the final edit.
Our best performing trailer to date at over 300,000 views, announcing the 'A Storm is Coming' playtest.
I took this from concept to delivery with support from the Cathedral Studios team, capturing the in-engine scenes and driving the edit.
The sound design and atmosphere were a team effort and they are a big part of why it lands. Proud of this one.
A deliberate break from the house style: a mock news report, with a reporter trailing players around the map mid-match. Features a handful of the game's creators.
I captured the in-game footage for this and worked on the edit with the Cathedral Team supporting on sound design.
Good fun to make, and a reminder that a format shift earns attention on its own.
A gameplay-led cut for Steam Next Fest, edited to Status Quo's "Pictures of Matchstick Men".
I captured in-game footage and spent a lot of time on the edit for this one. Using a mainstream track added complexity to this, but I think the end result speaks for itself.
Seven films for the British Science Festival, one for each of its Award Lecturers.
Each told the story of an early career researcher: who they are, how they found their field, and why the work matters beyond it. Released to Essex sixth forms and colleges and to the public ahead of the festival, then followed by seven live Q&A events.
I captured all the remote recordings, edited, including the motion design, and delivered the final videos.
Shot and directed by me.
We asked Limbless Association members at the charity's 35th birthday celebration at Hylands House to describe its work in a single word.
A simple idea that performed well on social, and one of many projects across a five year relationship.
Directed and edited by me, shot with colleagues.
A three year project culminating in a new educational film, plus a run of short social videos.
We interviewed sports personalities, school students, parents and politicians. The charity sells the finished film to schools and uses it in training days.
Shot, directed and edited by me, with production support from colleagues.
Through 2016 we filmed Dementia Adventure's supported holidays across the country: two weeks at sea, time on the Isle of Wight, a trip to Silverstone. One of six films for them, used to tell their story and bring people to the holidays.
Not shown here
Show caller, director and production support for global automotive and beauty brands. It started with virtual and hybrid delivery while in-person events were stopped, and carried into live production as they returned.
A year-long scheme for a community healthcare provider: I shot the training, edited the videos and built the custom website that delivered the modules to staff.
Ad creative for X, Meta and YouTube, with variants A/B tested against each other, plus vertical content for TikTok and YouTube Shorts.
Brand films, product demos and campaign work for commercial clients, much of it under NDA.
I am happy to talk through any of this, including the work I can’t show.